Dating vintage fender
Additionally, Greg and Devin also had data that they had been collecting from Fender amps for years. Everything is confidential, we don't make record of who owns what amp in the database.
We combined all of our information into a computerized database for this project and for the past 18 months have been slowly (sadly, very slowly) gathering information that we collect ourselves as well as from other people. What we need is the following: 1) Model name 2) Model number on the tube chart 3) Date code letters on the tube chart 4) Speaker codes (if speaker is original) 5) Transformer codes (if the amp doesn't have date codes on the tube chart) 6) Cosmetic features (flat/raised logo, tweed/tolex, blackface/silverface, rough/ smooth blond tolex, white/skirted knobs, TV-front/wide-panel, etc.) One very interesting and very important factoid has surfaced regarding the date code letters on the tube chart.
His particular area of expertise is in Fender amps made from about 1960 through 1967.These appear to be used sequentially independent of model.Likewise, the brown/blonde Tremolux, Concert, Vibrasonic, Twin, Pro, Super, Vibrolux, Showman, Dual Showman, and Bandmaster used a sequential numbering independent of model, but as with Fender guitars, these were not used consecutively. The 1956 to 1963 Champ, Harvard, Princeton, Deluxe; the 1956 to 1960 Vibrolux, the 1956 to 1964 Bassman, and all the tube reverb units have their own serialization scheme.It's been about 6 months since Part 1 of this series was printed so I thought it would be a good time to give an update on the Fender amp research that I am doing along with Devin Riebe and Greg Huntington.First I would like to thank everyone who responded to our request for data as outlined in the initial article that was printed in March 1997 issue of TCG.
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Fender must have had a million of these labels printed up since they appear on Champs and Vibro Champs well into 1966.